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Artist Toni Ardizzone on her Work, E.A.S.T., and the Austin Art Scene

unnamedNow in its 13th year, the East Austin Studio Tour is a free, annual, self-guided art event where participants can discover new artistic talent, see working studios, and explore unique exhibition spaces and local businesses. Many of the Blanton’s employees are artists and exhibit work in the Austin area. We sat down with Manager of Security Toni Ardizzone to talk about her work, her participation in E.A.S.T., and the Austin arts community.

What made you decide to become an artist? Do you have any specific mentors or artists who you look to for inspiration?

I’m not sure that I consciously made that decision. My earliest memories are filled with coloring or making art in some fashion. I suppose art chose me. Books, music, history and my own life experiences inspire and influence my work. I’ve always been inspired by German Expressionism and activist art. More than ever, I am looking at rock posters, album covers and murals. John Dyer Baizley is a favorite. Cecily Brown, Jenny Saville and Dana Schutz have all heavily influenced my approach to painting.

http://vimeo.com/95207926

What brought you to Austin? How has the arts community here differed from other places you’ve lived?

I moved to Austin almost 5 years ago. I was seeking a much more liberal town than I had been familiar with and more opportunities to exhibit my work. The sense of community is great here and translates to the art community as well. The Midwest art scene can be very competitive at times, while Austin artists are willing to collaborate and share opportunities with one another. Being in a liberal-minded city also lends itself to a larger platform for expression. The artwork doesn’t have to play it safe. My work tends to illustrate the darker side of life and I would describe it as intense. This past weekend at E.A.S.T. I received a really positive response to my paintings and some great conversations. Austin is vibrant and alive. Knowing that there is an audience passionate about the arts provides the catalyst to keep producing work.

Falling Stars
Anselm Keifer, Sternenfall [Falling Stars], 1998, 183 in. x 208 in., mixed media on canvas, Gift of Mr. and Mrs. Thomas B. Martin, Jr., 2009.
Has working at the Blanton influenced your art or creative process? What is your favorite work in the collection?

Absolutely. Many of my colleagues are artists and all of us share an appreciation for visual art. It’s a very supportive environment to be immersed in and keeps me engaged in the art community. Anselm Kiefer’s Sternanfall (Falling Stars) remains to be my favorite piece in the museum. It embodies both beauty and sorrow. I have looked at that piece close to everyday for the last 3 years. It amazes me that it retains so much emotion and power.

Aside from your own studio, what other stops on E.A.S.T. would you recommend?

Canopy, Blue Genie and Art Post are great spots. Matthew Winters has an intriguing and extensive list of individual artists on Austin Culture Map. These smaller places can be gems. I would definitely check out a few on that list.

The second and final weekend of E.A.S.T is this Saturday and Sunday, November 22-23. Toni will be at Pump Project Art Complex (702 Shady Lane) Studio V on Saturday from 11am – 6pm. View more of her work online at www.toniardizzone.com. For more information and for a full list of E.A.S.T. stops, visit the Big Medium website.

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