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Beyond All Reason: Goya and his Disparates

February 23, 2015 | Douglas Cushing

One of my joys as a Mellon fellow has been researching the prints of Francisco Goya (1746–1828). Produced after the artist’s fiftieth birthday, Goya’s four mature etching series are emblematic of his technical mastery and inventiveness. The first series, Los Caprichos (1797-99), is exemplary of the artist’s satirical social criticism. Los Desastres de la Guerra…

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Beyond All Reason: Goya and his Disparates

February 23, 2015 | Douglas Cushing

One of my joys as a Mellon fellow has been researching the prints of Francisco Goya (1746–1828). Produced after the artist’s fiftieth birthday, Goya’s four mature etching series are emblematic of his technical mastery and inventiveness. The first series, Los Caprichos (1797-99), is exemplary of the artist’s satirical social criticism. Los Desastres de la Guerra…

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Nina Simone, 1969 They called her the “High Priestess of Soul.” Her voice was so rich, so anguished, and hypnotic that she could fill you—completely overwhelm you—with the spirit of pride and unparalleled struggle. There was inextricable power in the music of Nina Simone. She became the voice of a generation of African Americans fighting…

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They called her the “High Priestess of Soul.” Her voice was so rich, so anguished, and hypnotic that she could fill you—completely overwhelm you—with the spirit of pride and unparalleled struggle. There was inextricable power in the music of Nina Simone. She became the voice of a generation of African Americans fighting for equality in…

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