In January 2015, Ellsworth Kelly gifted to the Blanton the design concept for his most monumental work, a 2,715-square-foot stone building with luminous colored glass windows, a totemic wood sculpture, and fourteen black-and-white stone panels in marble. Titled Austin, honoring the artist’s tradition of naming particular works for the places for which they are destined, the structure is the first and only freestanding building the artist has designed, and will be his most lasting legacy. Envisioned by Kelly as a site for joy and contemplation, Austin will become a cornerstone of the Blanton’s permanent collection and will enrich the lives of visitors from around the world.
Click here to read a message from Blanton Director Simone Wicha about the project and the campaign to construct and care for Austin.
Support Ellsworth Kelly’s Austin
The Blanton is undertaking a $23 million campaign to construct and fabricate Austin, build the endowment for the operation, care, and conservation of this singular work of art, and redevelop the grounds of the museum.
Gifts of $100,000 or higher will be celebrated as part of the legacy of this work in special donor recognition adjacent to Austin. In addition, all gifts to the museum of $5,000 or more will be recognized in various donor listings, including the annual donor wall, during the year that the building opens. For more information, please contact the museum’s Development Department at 512.475.6013.
Ellsworth Kelly Panel Discussion
On October 31, 2015, the Blanton hosted a roundtable discussion on the life and work of Ellsworth Kelly, featuring notable curators and scholars from across the country. Moderated by Veronica Roberts, Blanton Curator of Modern and Contemporary art, panelists included Gavin Delahunty (Dallas Museum of Art), Carter Foster (Whitney Museum of American Art), Tricia Y. Paik (Indianapolis Museum Of Art), and Richard Shiff (The University of Texas at Austin).
Thanks to our friends at Art This Week, video of the panel, as well as the question and answer session, is available to watch online.
Additional Resources and Select Press:
The New York Times broke the news of Ellsworth Kelly’s Austin, quoting the artist: “Go there and rest your eyes, rest your mind,” he said. “Enjoy it.”
Artnet also featured the news in an article, quoting Blanton Director Simone Wicha, who highlighted the importance of the building and its role within the community: “Kelly’s intention was always for it to exist in perpetuity in a public space.”
In an article reflecting on Kelly’s long life and career, the Guardian touched on the project as indicative of the artist’s “appetite for work [remaining] keen.”
The Blanton has also published two press releases about the project: the first announcing the acquisition of the artwork, and the second focusing on the groundbreaking and the Kelly panel that accompanied it.
Gift of the artist, with funding generously provided by Jeanne and Michael Klein, Judy and Charles Tate, the Scurlock Foundation, Suzanne Deal Booth and David G. Booth, and the Longhorn Network.
Additional funding provided by The Brown Foundation, Inc. of Houston, Jack and Leslie Blanton, Elizabeth and Peter Wareing, the Lowe Foundation, The Eugene McDermott Foundation, and Stedman West Foundation, with further support provided by Buena Vista Foundation, Judy and David Beck, Kelli and Eddy Blanton, Charles Butt, Mrs. Donald G. Fisher, Agnes Gund, and Lora Reynolds and Quincy Lee.
Other support is thanks to Janet and Wilson Allen, Sylvie and Gary Crum, The Ronald and Jo Carole Lauder Foundation, Meinig Family Foundation, Mark and Shannon Hart, Emily Rauh Pulitzer, Helen and Charles Schwab, Lela and Robin Gibbs, Louise and Guy Griffeth, Terry and Tommy Smith, Susan and Mac Dunwoody, Marlene Nathan Meyerson, and donors who contributed to the 2015 Annual Fund.