More information coming soon. Be sure to visit the first part of this exhibition A Family Affair: Artistic Dynasties in Europe (Part II, 1700–1900), before it closes on June 15, 2025!
Curated by Holly Borham, Curator of Prints, Drawings and European Art, and Sarah Bane, Assistant Curator, Prints & Drawings, Blanton Museum of Art.
Edouard Manet, Berthe Morisot, 1872, etching, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers.
Berthe Morisot, Girl with a Cat (Julie Manet), circa 1889, etching and drypoint, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers
Mauro Gandolfi, “Monument to Gaetano Gandolfi,” 1806, engraving, 21 3/4 × 16 3/4 in., Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004
Robert Nanteuil, “Moses with the Tablets of the Law, after Philippe de Champagne,” 1699, engraving, 20 11/16 × 16 1/8 in., Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002
Francis Seymour Haden, “An Early Riser,” 1897, mezzotint, 8 3/4 × 11 11/16 in., Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002
Anne Allen, “Fantastic Flowers with Conical and Hemispherical Blossoms and Berries (Cat. XXVI no. 53),” 1775–1800, color etching, inked à la poupée, 7 7/8 x 5 5/8 in., Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 2022
Giovanni Battista Tiepolo, “Two Turbaned Magicians and a Boy, from Scherzi di Fantasia,” circa 1760, etching, 14 3/4 × 10 5/8 in., Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980
Jean-Honoré Fragonard, “L’Armoire [The Wardrobe],” 1778, etching, 16 3/8 × 21 9/16 in., Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, ’48, 1995
Charles-Nicolas Cochin, the younger, “Pompe funèbre de Philippe V, Roy d’Espagne et des Indes dans l’église de Notre-Dame de Paris, le 15 décembre 1746 [Funerary Ceremony for Philip V, King of Spain and of the Indies, in the Church of Notre-Dame, Paris, 15 December 1746],” 1748, etching and engraving, 24 3/4 × 34 5/8 in., Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997
James Abbott McNeill Whistler, “Rotherhithe, from 16 Etchings or The Thames Set,” 1860, etching and drypoint, 14 3/8 × 9 5/16 in., Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, ’48, with a matching contribution from Julia Wilkinson, 2000
Camille Pissarro, “Self-Portrait,” circa 1890, etching, 12 7/8 × 8 7/8 in., Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961
Pierre-Alexandre Aveline, “L’Enseigne de Gersaint [Gersaint’s Shopsign],” 1732, etching and engraving, 23 3/8 × 34 in., Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997
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Press
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FEATURE IMAGE CREDIT: (Left) Edouard Manet, Berthe Morisot. 1872, etching, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers. (Right) Berthe Morisot, Girl with a Cat (Julie Manet), circa 1889, etching and drypoint, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers