INCLUDED WITH ADMISSION. FREE FOR MEMBERS.

What happens when code and data become the raw materials of art?

In Run the Code, contemporary artists harness algorithms and generative AI models to create powerful, thought-provoking works that explore nature, art history, internet culture, and human behavior. Showcasing highlights from the Thoma Foundation’s Digital and Media Art Collection, this immersive exhibition transforms digital information into sensory works of art.

Included are some of the most important digital artists working today: Refik Anadol, Daniel Canogar, Madeline Hollander, Rafael Lozano-Hemmer, teamLab, Siebren Versteeg, Leo Villareal, and Marina Zurkow, among others.

Some create interactive systems that respond to your movement, touch, or presence — inviting you to become part of the artwork. Others design custom software that generates ever-evolving images right before your eyes. Digital landscapes reflect on our relationship with the natural world, while other works remix historical paintings and cultural archives through machine processes. Together, these artworks demonstrate that algorithms can be more than technical tools — they can also serve as a creative medium.

Though grounded in advanced technology, these artworks are deeply human, raising important questions for the digital age: What does it mean to create art in a world shaped by data? And how might it help us reimagine our relationship to the information that surrounds us? From immersive installations to complex systems running behind the scenes, Run the Code brings together art and technology in exciting, unexpected ways.

Organized by Hannah Klemm, Curator of Modern and Contemporary Art, Blanton Museum of Art, with Kathleen Forde, Director and Curator, Media Arts, Thoma Foundation

Frequently Asked Questions

Run the Code presents a variety of artworks, such as digital video, LED screen, customized software, and animation, that were created over the past 25 years. The exhibition reflects the broad range of what is considered “art.”  

Generative artificial intelligence, or GenAI for short, is a type of computer program that learns patterns from large amounts of data—like photos or text—and then creates new images, sounds, or text inspired by what it learned. Several of the works in the show use generative custom code and software to create art and/or animation, which is a type of AI-powered animation where text prompts, sketches, or still images are used to create moving videos or animations.  

The kinds of AI tools many people know today—such as text-to-image generators or chat-based AI—only became widely available in the last few years. The only work in the show created using what we identify today as AI and machine learning, is Refik Anadol’s Machine Hallucinations – Study I, in which Anadol, an award-winning leader in the field, trained the system on hundreds of thousands of images. 

Run the Code is an original and immersive take on today’s modern digital age as seen through the lens of each artist featured in the exhibition.  

Much in the way a painter’s brushstroke varies widely, data is used differently by each artist in the exhibition to create art. The result is a one-of-a-kind experience of digital art in which no two works use data the same way.  

Works that use live data and information as its published online:  

  • In Siebren Versteeg’s Daily Times (Performer), 2012, the current day’s New York Times is transformed into an abstract painting created by the news cycle.  
  • In Daniel Canogar’s Billow I (2020), an LED screen displays abstract animations generated from live Google search data on everything from news topics to viral media.  

All of the artworks invite you to take a closer look and experience them for yourself.  Please note: Visitors cannot physically interact with all of the works.  

Works that are physically interactive: 

  • Rafael Lozano-Hemmer, Pulse Index (2010), records your fingerprint alongside your heartbeat, temporarily linking two forms of data commonly used to identify and measure the body.  
  • Camille Utterback, Untitled 5 (2004), directly responds to your physical movement. As you move in front of the art installation, a network of gray lines flickers around your body, signaling that the work has been activated. A colored line traces your path across the projection, mapping your movement live in real time. What unfolds visually on the wall is shaped not only by your actions, but also by the movements of those who came before you, bringing new meaning to the term “crowdsourced.”  
  •  Martin Reinharttx-mirror (2018). In tx-mirror, you encounter a live video of yourself captured at two different moments in time. As you move in front of the screen, your past and present movements collide, allowing you to see yourself from moments ago alongside yourself now. 

The Blanton is the only current venue in the world for Run the Code; the exhibition is currently not scheduled to travel. 

Absolutely! Casual photography and video with camera phones or handheld cameras is allowed. Please observe these rules: 

  • No flash photography 
  • No tripods, monopods, or selfie sticks 
  • No photoshoots or professional sessions 
  • Photography and video should not disrupt other visitors or limit accessibility of exhibitions, entrances/exits, doorways, and high-traffic areas

We love seeing photos from our visitors! Feel free to tag us @blantonmuseum, we may feature your experience on social!  

Upcoming Related Programs

Apr 11
Saturday, Apr 11 Saturday | 10:00 am – 8:00 pm

Blanton All Day: Code This!

Join us for a full day of live music, tours and talks, family-friendly art activities, and more.
ALT TEXT: A digitally generated image that resembles a traditional Japanese folding screen. The scene is a bustling city with buildings, people, a river, bridges, and gold clouds.
Apr 11
Saturday, Apr 11 Saturday | 3:00 pm – 4:00 pm

Art with an Expert – Last Artist Standing: Living and Sustaining a Creative Life Over 50

Learn more about the latest book from artist and author Sharon Louden.
Headshot of artist and author Sharon Louden paired with her book cover for
Apr 21
Tuesday, Apr 21 Tuesday | 12:30 pm – 1:30 pm

Public Tour – Run The Code: Data-Driven Art Decoded by Thoma Foundation X Blanton Museum of Art

Get more out of your visit on this gallery teacher-led tour. Included with admission.
Apr 21
Tuesday, Apr 21 Tuesday | 2:00 pm – 3:00 pm

Visita guiada pública [EN ESPAÑOL] – Run The Code: El arte impulsado por datos, descifrado por la Fundación Thoma X Blanton Museum of Art

Saque más partido a su experiencia artística en esta visita guiada por un docente.
Hollander Heads Tails TF Jamie Stukenberg 300dpi 6409x2930 (2021.07.27)
Apr 25
Saturday, Apr 25 Saturday | 5:30 pm – 6:30 pm

Public Tour – Run The Code: Data-Driven Art Decoded by Thoma Foundation X Blanton Museum of Art

Get more out of your visit on this gallery teacher-led tour. Included with admission.
An animated illustration of a polluted landscape with a pond, shrubs and trees, picnic tables, people wearing hazmat suits, and many monarch butterflies.

Marina Zurkow, Mesocosm (Wink, TX), 2012, real-time generative custom software animation, with sound, computer, monitor, 146-hour cycle (24-minute day, 146-hour year), Collection of the Carl & Marilynn Thoma Foundation © Marina Zurkow

A digitally generated image of many raised white shards that resemble a pointed arch or the facade of a Gothic cathedral.

Refik Anadol, Machine Hallucinations – Study I, 2019, single-channel digital video, silent, computer, monitor, 30 min., Collection of the Carl & Marilynn Thoma Foundation © Refik Anadol

An abstract digitally generated image with a tan background and many cream, blue, pink, green, and orange markings.

Camille Utterback, Untitled 5, 2004, interactive installation: custom software, silent, video camera, computer, projector, lighting, infinite (live generation), Collection of the Carl & Marilynn Thoma Foundation © Camille Utterback

Hollander Heads Tails TF Jamie Stukenberg 300dpi 6409x2930 (2021.07.27)

Madeline Hollander, Heads/Tails: Walker & Broadway 4, 2020, 73 Automobile headlights and taillights customized with LEDs and real-time software program, infinite, display: 120 x 240 in., Collection of the Carl & Marilynn Thoma Foundation 

A split screen monitor with close-up images of fingerprints that get progressively smaller.

Rafael Lozano-Hemmer, Pulse Index, 2010, interactive generative custom software, silent, computer, digital microscope, industrial camera, plasma monitor, Collection of the Carl & Marilynn Thoma Foundation © Rafael Lozano-Hemmer

A monitor with an image of the front page of the New York Times covered with digitally generated purple, turquoise, white, and gray brush strokes.

Siebren Versteeg, Daily Times (Performer), 2012, real-time generative custom software animation, silent, computer, internet connection, monitor, 24-hour cycle, Collection of the Carl & Marilynn Thoma Foundation © Siebren Versteeg

Credit

Run The Code: Data-Driven Art Decoded by Thoma Foundation X Blanton Museum of Art is organized by the Carl & Marilynn Thoma Foundation in collaboration with the Blanton Museum of Art.

Support for this exhibition is provided in part by J. P. Morgan Private Bank.