Events

When was AUSTIN originally designed? Where were the stained glass windows made? Does the building really have a basement? Get the answers to all your burning questions about Ellsworth Kelly’s last work of art when you join us for a live Q&A with Carter E. Foster, Deputy Director for Curatorial Affairs; Veronica Roberts, Curator of Modern and Contemporary Art; and Dalia Azim, Manager of Special Projects.

Because it’s happy hour, we encourage you to sit back and sip a nice cocktail – or mocktail – in accordance with the evening’s topic. May we suggest:

-A glass of Bordeaux – in the spirit of Ellsworth Kelly’s time in France
-Some Perrier with a twist of lemon – for those abstaining from alcohol
-This whimsical mocktail – if you’re feeling more colorful (and inspired by Austin’s windows!)

AUSTIN Mocktail

•Fill your glass with ice cubes.
•Pour bottom layer about 1/3 of the way full.
•Pour second layer very slowly over back of a spoon to fill the next 1/3 of the glass.
•Pour the top layer over the spoon to fill the final 1/3 of the glass.
•Some layering suggestions (put liquid with highest sugar content on bottom, then next highest for second layer, with top layer having least amount of sugar):
– Cranberry juice, lemon-lime soda, and blue sports drink
– Berry-blend juice, lemonade, and berry-flavored iced tea
– Cherry juice, pineapple juice, and orange juice

We are delighted to welcome Miami-based Brazilian sculptor Frida Baranek for this special opportunity to learn more about her life and work.

A featured artist in our Latin American art gallery, Baranek will discuss her practice and process spanning a career of over 35 years. This event will take place in our Capitol Room, located in the Smith Building across the plaza from the museum.

About Frida Baranek
Frida Baranek is one of a generation of sculptors using industrial materials to comment on industrialization and the health of Brazil’s environment. She uses heavy tools and mechanical equipment to transform leftover steel sheets and tubes, iron wire, and even airplane parts into abstract sculptures that resemble forms found in the natural world. The organic appearance of industrial waste is not the only paradox evident in Baranek’s work. Despite the weight of her materials, her delicately woven metal grids and nest-like constructions appear surprisingly light and airy. By demonstrating that even industrial debris and other discarded materials can have meaning if reused and remade, Baranek’s sculptures lie at the crossroads of two important issues in our world today: environmentalism and recycling.

These ideas are particularly important in her home country of Brazil. In the past 40 years, this largest of South American countries has experienced immense changes related to rapid urbanization and industrialization. Like many contemporary artists, Baranek is a global citizen. Since the 1980s, she has lived and worked in São Paulo, Paris, Berlin, and New York City. Baranek has participated in many solo and group exhibitions, including the Venice Biennale and the Bienal de São Paulo.

Thursdays are free admission at the museum. The Blanton is located at the intersection of Congress Avenue and Martin Luther King Jr. Boulevard.

Paid parking is available in the Brazos Garage on Brazos Street and Martin Luther King Jr. Boulevard. Parking is $4; bring your ticket with you to the museum.

Feature Image: (Left) Frida Baranek, Untitled (detail), 1988, oxidized wire and metal sheets, 118 1/8 x 78 3/4 x 78 3/4 in., Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Jeanne Klein, 2016. (Right) Frida Baranek.