On June 19, the Blanton opened Goya: Mad Reason, an exhibition featuring nearly 150 prints and paintings by renowned Spanish court painter Francisco de Goya. These works illustrate the artist’s mastery of forms and concepts as he grappled with the changing political and intellectual landscape of his native Spain in the early nineteenth century. To learn more about the show, we recently sat down with Curator Douglas Cushing to get an inside scoop on all things Goya.
One of my joys as a Mellon fellow has been researching the prints of Francisco Goya (1746–1828). Produced after the artist’s fiftieth birthday, Goya’s four mature etching series are emblematic of his technical mastery and inventiveness. The first series, Los Caprichos (1797-99), is exemplary of the artist’s satirical social criticism. Los Desastres de la Guerra