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Native America

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MAJOR EXHIBITION

Native America: In Translation

Curated by Wendy Red Star
OPENS
August 4, 2024
CLOSES
January 5, 2025
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About the Exhibition

Native America: In Translation, curated by artist Wendy Red Star, assembles the wide-ranging work of nine Indigenous artists who offer contemporary perspectives on memory, identity, and the history of photography. “I was thinking about young Native artists and what would be inspirational and important for them as a road map,” said Red Star. 

This road map spans intergenerational image makers representing various Native nations and affiliations, and working in photography, installation, multimedia assemblage, and video. Among them, the late Cree artist Kimowan Metchewais investigates landscape and language through his evocative Polaroids. And the stylish self-portraits of Martine Gutierrez pose as fashion ads and question conceptions of ideal beauty. 

Together, their work confronts the historic, and often fraught relationship between photography and the representation of Native Americans, while also reimagining what it means to be a citizen in North America today. 

Contemporary Indigenous artists featured:
Rebecca Belmore
Nalikutaar Jacqueline Cleveland
Martine Gutierrez
Koyoltzintli
Duane Linklater
Guadalupe Maravilla
Kimowan Metchewais
Alan Michelson
Marianne Nicolson

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About the Curator

Wendy Red Star (born in Billings, Montana, 1981) is a Portland, Oregon-based artist raised on the Apsáalooke (Crow) reservation. Her work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty, and unsettling. Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from the University of California, Los Angeles. Her monograph, Wendy Red Star: Delegation, was published by Aperture in 2022. Native America: In Translation extends Red Star’s work as guest editor of the Fall 2020 issue of Aperture magazine.

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Image Gallery

Kimowan Metchewais, "Cold Lake
Fishing," undated, paper, ink, adhesive tape, graphite, acrylic paint, 18 x 29.7 in., Courtesy National Museum of the American Indian Archives Center, Smithsonian Institution
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Credit Line

Native America: In Translation is curated by Wendy Red Star. The exhibition is organized by Aperture, New York, and is made possible, in part, with generous support from the National Endowment for the Arts.

 Support for this exhibition at the Blanton is provided in part by the Carl & Marilynn Thoma Foundation.

aperture logo
A logo reading "National Endowment for the Arts"
Logo for Thoma Foundation

Additional support for this exhibition at the Blanton is provided by Suzanne Deal Booth. 

Press

artnet, Indigenous Histories and Futures Shine in This Photography Exhibition

Austin Chronicle, Arts Review: “Native America: In Translation” at the Blanton

“[…] there are gems around every corner. Each artist’s work begs for rumination. Each has small details that capture attention. Each provides a gateway to consider what actually makes up America.”

– Cat McCarrey, The Austin Chronicle

The Daily Texan, Heritage, history, healing: Blanton’s newest exhibition showcases photography-based works by contemporary Native American artists

Texas Standard, New exhibit foregrounds photography perspectives of Indigenous artists

“Texas is a really strong place, conceptually, to have the audience walk into the Blanton and think about these issues.”

— Wendy Red Star speaking with Texas Standard

Tribeza, ‘Native America: In Translation’ Exhibit Opens at the Blanton Museum of Art

Feature Image Credit

Martine Gutierrez, Queer Rage, Imagine Life-Size, and I’m Tyra, p66–67 from the series Indigenous Woman, 2018, 42 x 28 in., framed digital C print, Courtesy of the artist and RYAN LEE Gallery, New York 

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