Public Tour
Event Details
Artistic training in the Renaissance involved drawing, or copying, from nature, from antique sculptures and from the work of other acclaimed artists. While Raphael and Michelangelo were painting for the
Event Details
Artistic training in the Renaissance involved drawing, or copying, from nature, from antique sculptures and from the work of other acclaimed artists. While Raphael and Michelangelo were painting for the Popes in Rome, skilled printmakers such as Marcantonio Raimondi and Giorgio Ghisi were widely disseminating the painters’ famous compositions through the relatively new medium of engraving. Not all artists, however, wanted their creations reproduced by others. This exhibition will present works which showcase the various intentions behind copies, ranging from collaborations between designers and printmakers to the unauthorized copies of Albrecht Dürer’s woodcuts, which resulted in a landmark legal decision against image piracy.
[button link=’https://blantonmuseum.org/rotation/copies-fakes-and-reproductions-printmaking-in-the-renaissance/’ target=’_blank’ label=’Exhibition Information’]
Please arrive at least 15 minutes before the start of the tour. Our tours can accommodate large groups, but we encourage you to check-in with our Visitor Services Desk to secure your place.
The Blanton is located at the intersection of Congress Avenue and Martin Luther King Jr. Boulevard.
Paid parking is available in the Brazos Garage on Brazos Street and Martin Luther King Jr. Boulevard. Parking is $4; bring your ticket with you to the museum.
Time
May 4, 2019 3:00 pm - 4:00 pm(GMT+00:00)